Tuesday, December 19, 2006

Star athlete dies in shooting



Former basketball stars Tank Beavers and Thurston Turner shot in Huntsville restaurant; suspect charged with murder
By Kelly Kazek
kelly@athensnews-courier.com

It was just after 9 p.m. Sunday when Sharon Beavers got a call from her cousin Toshi Shoulders.

“She said, ‘Tanqueray’s been shot.’ I said, ‘Quit lying,” Sharon said.

But Sharon would soon learn the awful truth — Tanqueray “Tank” Lavonacheke Beavers (top), 21, of Huntsville, and his second cousin Thurston Duran Turner (bottom), 27, of Athens, both standout basketball players, were two of four victims of Sunday night’s shooting spree at T.G.I. Friday’s restaurant on University Drive in Huntsville.

Tanqueray, who witnesses said was shot in the head, was dead at the scene; Turner was clinging to life Monday at Huntsville Hospital.

A close friend of Tank’s and Turner’s, Autora “Tory” Frias Rogers, 24, of Athens, a former Athens High School basketball manager, was also at Huntsville Hospital, but a spokeswoman said she could not release information about his condition and Huntsville police investigators are not releasing a condition. A friend of the family, however, said Rogers was improving.

The fourth victim is William Timothy Reliford, 33, of Hazel Green. Several local people said Reliford was working as a bartender at the restaurant at the time of the shooting. A Huntsville Hospital spokeswoman said the hospital has no record of him being treated there.

Huntsville Police Department investigators had suspect Jamal Roydrick Woods, 21, in custody Sunday night at Huntsville Metro Jail, said spokesman Wendell Johnson. Woods is charged with murder in connection with the death of Tanqueray Beavers.

Tanqueray, a 2004 graduate of Athens High School, was well-known in Athens, not only for his talent on the basketball court, but also because he was an outstanding young citizen, said Suzanne Rainey, executive director of the Boys & Girls Clubs of Greater Limestone County.

Rainey, eyes red from crying, said she spent Monday morning visiting Tank’s grandmother, Emma White, with whom Tank lived for many years.

“They were very close,” Rainey said.

Tank was about 9 years old when he became the first member of the Boys & Girls Club when it was founded in Athens 12 years ago, she said. He was named Youth of the Year in 1995, 1998 and 2004. The local title allowed him to compete for state Youth of the Year.

“He was first-runner up in the state in 2004,” Rainey said. “He missed the winner’s spot by less than a point.”

Tank has an older sister, Terashia Beavers, and a younger brother, Trevon Beavers, she said.

Tank’s father, Ralph White of Athens, drove Sharon Beavers, who lives in Tanner, to the scene of the shooting Sunday night after they received word their son had been shot.

Sharon said a cousin, who witnessed the incident, stated that Tank said “hello” to a female cousin who was at the restaurant with her husband, Jamal Woods.

“They said his cousin ignored him, and her husband said, ‘Don’t you know that’s my wife?’

Tank said, ‘That’s my cousin.’

The man turned to her and said, ‘Is that your cousin?’ and she said, ‘no,’ so the man shot Tanqueray in the head.’”

Sharon Beavers and Toshi Shoulders said Tank did not know Woods and that the Woods couple had a history of domestic violence.

“It was just a senseless crime,” Shoulders said.

Johnson said at 9:10 p.m. Sunday, Woods became angry when another customer of the restaurant was looking at his female companion, who Tank’s family said was Woods’ wife and Tanks’ cousin. According to witnesses, Woods approached the man, asked him a question, then pulled out a gun and allegedly shot Tank Beavers and three others, Johnson said.

Tank’s father said he was told Tank, Turner and Rogers were sitting at the bar.

Johnson said Woods and three of his friends left the table where they had been sitting and fled the scene. Woods left in his vehicle, but a K-9 team tracked his friends to a nearby Hampton Inn, where they were detained and questioned.

Johnson said Woods was apprehended hours later by officers in a vehicle in south Huntsville. The investigation is ongoing and additional charges could be filed, he said.

Rainey said she was shocked when was notified of Tank’s death at about 10 p.m. Sunday.

“It was not about being in the wrong place or being with the wrong people,” she said. “He had just gone out to dinner.”

Sharon said her son, whom she said had recently been living with her and her fiancé, was “a good boy, a good person.”

“We had the best relationship,” she said. “There was no violence or anything like that.”

Tank turned 21 on Nov. 22.

Tanner High School basketball coach Chris Whitt said Thurston Turner was an outstanding athlete when he attended school there before graduating in 1998.

“I’ve coached here for 13 years and he’s one of the best guards I had,” Whitt said. “He led us to two straight Final Four appearances when we played for the state championships — in 1997 and 1998.”

Whitt said Turner is also a good person.

“He was a great person, very respectful toward the coaches and anybody he was around,” he said.

Tank’s coach, Athens High School’s Venard Hendrix, said the young man still came to the school to watch games.

“He was here Friday night,” Hendrix said. “He was always helpful; he talked to the kids all the time. We’re going to really miss him.”

Hendrix said he was in regular contact with Tank.

“Tank would always call me up. We would talk often;” he said. “We remained close after he graduated. He was just a great person, just fun to be around. It’s hard to believe.”

Athens High School Principal Chris Bolin said Tank would attend games and give advice to the coaches and to players.

“He was back last season and this season,” Bolin said. “He had ideas of what we could do better. He was a huge Athens High School supporter.”

He also shared those ideas with children learning the game, Bolin said.

“He had an ability to connect with small children; he had a personality,” Bolin said. “Young kids wanted to be around him. I think Tank was a great kid. He always represented Athens High School well. “

Rainey said Tank would also come to the Boys & Girls Club on Washington Street, where some of his younger cousins are members, and pick them up or offer to help with their hoops skills.

“He’s just a special person,” Rainey said. “He had an awful lot going for him.”

Tank spent a year at the University of Memphis, where he went on a basketball scholarship. He returned home and was working for Reggie Battle doing construction but was planning to return to college. His father said Tank was considering the University of Alabama; his cousins and Rainey thought he was looking at a Florida college.

“I know a lot of people felt he should have stayed in Memphis but Tank’s just the kind of person who’s going to make his own choices,” Rainey said.

Ralph White said Peoples Funeral Home will handle arrangements when authorities release Tank’s body, which will likely happen today.

Dozens of cousins gathered Monday either at the home of Tank’s mom in Tanner or his father in Athens, trying to make sense of the shooting.

“Tank was our heart,” Shoulders said. “This is a big void out of our lives.”

Tuesday, December 05, 2006

Sean Bell's Girlfriend: I'm Not Angry


NEW YORK -- The girlfriend of an unarmed man who was killed when police sprayed 50 bullets at his car the day he was to marry her said Monday she's not angry.

"I'm really not angry," a subdued Nicole Paultre told CNN interviewer Larry King in her first extensive comments since fiance Sean Bell's killing Nov. 25. "I'm more just trying to be strong. We just want justice.... That's it, and that's what we're praying for and hoping for."

Paultre, who wore a badge with a photo of her, Bell and their two young children, spoke haltingly, often with one- or two-word answers.

Last week, she told a local hip-hop radio station that the policemen who shot Bell, 23, were murderers.

She said Monday that she thought the officers had used excessive force but she said she didn't blame the whole police department for the actions of a few.

Wearing what would have been her wedding ring, Paultre said she was doing OK after her fiancee's shooting and was "trying to be strong for the girls," who don't understand their dad isn't coming back.

The Rev. Al Sharpton, a civil rights leader who has spoken for the Bell and Paultre families, appeared on "Larry King Live" with her Monday and said the families wanted Bell's legacy to be the end of police abuse.

"These are solid people that just want to see fairness and that just want to hope Sean Bell's legacy is that this stops," Sharpton said. "Something has to break the cycle where those police that step out of bounds feel they can get away with it."

He said Bell and his friends had been well-behaved at a Queens strip club bachelor party before the shooting and any disturbance reported by witnesses had nothing to do with them.

"If there was some raucous behavior, they were not involved at all," he said. "But even if there had been a raucous party, that doesn't give police the right to come in and become judge, jury and executioner on unar

Monday, December 04, 2006

Has Jay-Z Outgrown Hip-Hop?



http://www.hiphopdx.com/index/columns-editorials/id.676/title.who-the-hell-am-i-has-jay-z-outgrown-hip-hop/p.4
| Author: Andreas Hale


November 21st 2006 marked the day that Jay-Z returned from his proposed “retirement.” The expectations were set ridiculously high for Young Hova but if anyone could exceed expectations, the Jiggaman could….right? Apparently not. Although “Show Me What You Got” became a burner in the clubs, some predicted that this Jay-Z album just wouldn’t be up to snuff. Then the reviews began to surface. Definitely not up to Jay-Z standards. The marketing push that Jay put behind the album was unprecedented (from Monday Night Football ads to Budweiser commercials and, of course, the Jay-Z Hangar Tour) and resulted in first week sales reaching close to 700k but the critics and the streets began to speak.

“But what may cause the most arguments is that S. Carter seems to be representing Park Avenue more than the Marcy Projects on this album. True, false, or irrelevant?” – HipHopDX.com (rating 3.5 out of 5)

“The material shows a lack of direction from an MC whose age and position put him in uncharted waters.” – Allhiphop.com (rating 3.5 out of 5)

“Not to abuse the tired cliche of "grown folks music", but this is it, defined.” – Hiphopsite.com (rating 4 out of 5)

“…like athletes, we expect rappers to disappear when they turn 30. We have no use for them as they become older and more comfortable with themselves-- even if their minds are as sharp as ever…But that's Kingdom Come: Jay boringly rapping about boring stuff and being totally comfortable with it” – Pitchforkmedia.com (rating 5 out of 10)

“Jay-Z is hip-hop, yes, but the dirty little secret that he likes us to ignore is that hip-hop is not Jay-Z” – popmatters.com (rating 7 out of 10)

Wow…look at that last statement and then plant it alongside the other clips. Does anyone see a recurring theme here? While most of the reviews couldn’t argue with how Jay-Z is the “kingpin of the ink pen/monster of the double entendre” the problems arise about Jay’s subject matter. Gone are the days of “Sex murder and mayhem romance for the street” and instead we get riddles of “good credit and such.” Sadly, in Hip Hop this has become blasphemy. But why has the dream materialized become so incredibly out of touch? Why does Hip Hop have to be hustlin’, pimpin’ and slangin’? Although Kingdom Come didn’t deliver the goods as expected (according to the general consensus), it did tear open a gaping generation gap question that needs to be addressed. Has Jay-Z and artists like him outgrown his audience?

What Jay-Z has become is a dream materialized. Hip Hop has been deeply rooted in the struggle to come up and achieve a dream. But when that dream is achieved does that mean the struggle stops? Obviously so, according to many. See, there’s a big difference in struggling for food as opposed to struggling to maintain wealth and health. Hip Hop has never really seen a dream materialize, rather many dreams have been halted abruptly. Just when Tupac and Biggie were hitting their collective strides their lives were ended by a hail of bullets.

The question has always been asked “What If…” and the answer is “Jay-Z.”

Jay-Z has become the only artist that has allowed his growth to be caught on record. There were no voids where Jay grew and we didn’t see it. Jay-Z has always been in the spotlight. So as he matured, so did his music. And now he’s at a point where we have witnessed his growth into a successful black man with more money than you can shake a stick at.

There are two lines in “30 Something” that encompasses the “grown up” part of Jay-Z…

“I don't buy out the bar, I bought the nightspot”

And…

“Young enough to know the right car to buy/Yet grown enough not to put rims on it…”

The former is about just being flat out rich. Nothing more, nothing less. Jay-Z has more money than you (or he) has ever thought of and can now do things that were out of Hip-Hop’s collective reach. Instead of purchasing from someone, wouldn’t it be better to own it? It's as simple as “why buy a drink for ‘x’ amount of dollars when I can own the club that has the bar that sells drinks for ‘x’ amount of dollars?” The math is so simple, yet so complex. Many of us love basketball, so why not own a team? Jay-Z did it, now you see how many others have followed in his footsteps. But wait…don’t you need “good credit and such” to own a team?

The latter is about knowledge of wealth. As simple as the line is perceived to be, it speaks in volumes about Hip Hop culture today. Excess, materialism, etc. Jay-Z understands that rims look nice but have no added value for a vehicle and thus can be disposable. But how many of us understand that? I mean seriously…how many of us understand that owning a house is far more important than having a Dodge Magnum on 24’s? Rather ironic that we are entrenched in a culture so obsess with money yet has no idea what to do once we have it.

But in a consumer driven economy, the truth is that we are supposed to like rims and spend our hard earned dollars on bullshit. We’ve all been through it one way or another. So when someone like Jay-Z flips the script and talks about “good credit” do you think that this is what the economy wants to hear? Better yet, do the old owners of rims, jewelry and other excess want you to consider saving your money and your credit so you can one day own a business or a team or a corporation or even them? Hell no!

Mass Media has done a helluva job convincing us that the glass ceiling is closer to our heads than we originally thought. By using Hip Hop as a tool to promote hamburgers, GAP clothing and cars instead of fighting against sexism, racism and other numerous forms of oppression, they powers that be have beaten us at our own game.

So back to this statement…

“Jay-Z is hip-hop, yes, but the dirty little secret that he likes us to ignore is that hip-hop is not Jay-Z”

So who dictates what is Hip Hop and what isn’t? Why is Hip Hop not Jay-Z? Is that saying that good credit and financial responsibility are not Hip Hop? It has to obviously be scary to concede to the fact that it isn’t Jay-Z and people that look like Jay-Z who make Hip Hop, rather it be the old white CEOs who sit atop their thrones while throwing to us what they think is hip hop. But we are no better because we believe what they tell us.

As much as we would like to believe that we are trendsetters and “exclusive”, we are mere followers to the bigger machine. A machine that feeds us these vices and fills our little heads with pipe dreams and such to the point that achieving them isn’t even important anymore.

The name of the game today is to go out there and try while looking good without actually achieving. Because if you do in fact “make it”, you’ll be labeled a sell-out. There’s nothing flashy about a jump shot…except that its worth two points (and last time I checked the team with the most points wins). Instead we would rather dribble off of your head, do a cartwheel, and try a 360 layup with nobody defending us. We’d rather bask in the glory of oohs and ahhs and miss the fuckin’ rim completely rather than sink a boring ol’ jump shot. We love the journey but don’t want to see the ending. Because when the proposed “end” comes…what is left? Winning the game is not an option. And this is what they feed to us thru Hip Hop. Scary isn’t it?

“I came into a little bit of a revelation recently. I turned 31 and I’m starting to realize that a lot of this Hip Hop/rap thing is for kids. It’s a young people’s movement. And I know we as adults try to hang onto our youth as long as possible but my point is you gotta know when to let go because when you’re 36 and you dress like you’re 15 you look fuckin’ stupid!” – Aries Spears

While that line is laugh out loud funny, it does make you rethink where you are as a hip hop fan. If you are young then I guess this may not apply to you (yet). But if you are an 80’s baby you have to wonder how true this statement is. While Hip Hop may be rooted in the kids and the young people, it is the old man sitting up there getting his belly fat off of our work. You don’t have to “look” rich to “be” rich. Rock & Roll used to be considered a “kids” movement but now you have artists like Aerosmith and U2 still making incredible and timeless music. Do they look like every other rock star?

alone and look for the nearest Celine Dion or Earth Wind & Fire album? Or can Hip Hop grow and mature with us instead of without us? Can Hip Hop become rich and successful while taking the struggle to new heights (Sudan Crisis, Water Shortage, AIDS, Electoral Politics, Racism, etc)? I think we can…I can’t just leave my culture behind and look for a new one. I’d rather use it for a tool to educate and elevate.

But because of our mere willingness to settle for a dollar and a dream (and a plethora of other reasons) it is enough reason for me to suggest a ban on hip hop. Oh you don’t know what I mean by “destroy and rebuild”? Well I guess you won’t until the next editorial…and I’m just a critic…Who The Hell Am I? But the better question is…Who The Hell Are You?

“If the prophecy's correct, then the child should have to pay/ For the sins of the father/ So I bartered my tomorrow's against my yesterdays…/ I'm both saint and sinner…/ I'm on permanent vacay/ Life is but a beach chair/ This song's like a Hallmark card until you reach here.” – Jay-Z

Tuesday, November 28, 2006

Stopping the N Word Starts With Blacks



JASMYNE CANNICK: Stopping the N Word Starts With Blacks
(November 28, 2006)

http://www.eurweb.com/story/eur30016.cfm

*Black leaders are calling on the entertainment industry to stop using the “N” word, a move in theory that I support wholeheartedly.

Do I think that the entertainment industry gives a damn? Absolutely not, but it makes for great news clips and if one didn’t know any better they’d think we were really doing something here. But in actuality, Blacks would be foolish to expect an industry that is only concerned with making money and lots of it to voluntarily comply with the request of a few Black leaders when there’s millions of dollars to be made.

The N word is profitable, let’s face it.

How do I know? Because every Tuesday millions of us disperse to our local music stores and support artists, many of whom are Black, that in their lyrics degrade women and use the N word freely. In we fact, we expect to them do it, that’s what we want and that’s why they’re rich.

To expect record companies, who are raking in millions each year off the N word to voluntarily give that up is irrational. The only way we’re going to make sweeping systemic changes in the way the N word is used is if we force it economically and quite frankly I don’t think we really want to do that.

In order for change to be made that would mean that we would have to stop listening to the artists that we love so much. It would mean that we couldn’t support films where the N word was used, no matter who’s starring in it. It would mean the boycotting of radio stations that play songs from artists who use the N word. No more buying designer clothes from artists who use the N word. No more buying concert tickets for artists who use the N word and of course watching BET and MTV would be out of the question.

Are Blacks really ready to give up the N word? Because the only way it’s going to happen is if we effect their bottom line but alas, we’re too busy making their bottom line.

I’ll be the first to admit that I love hip-hop. However, my love for hip-hop does not mean that I turn a deaf ear to its use of the N word and homophobic and misogynistic lyrics like so many of us often do with the disclaimer, “I like the beat not the words.” That’s a cop out, plain and simple.

And let’s be clear, we are the same group of people that liked R. Kelly’s beats so much that we turned a blind eye towards the very blatant proof that he was engaging in at best questionable activities with minor girls and put him and his new album on top of the charts.

We should not be in the business of asking other people to do something that we aren’t even willing to do ourselves.

I think Black people are just fine with the N word. Sure, we may get riled up when a white person uses it, but can we really when most of us use it everyday in our daily conversations.

Consider this, Black people went from referring to each other as “brothas and sistas” to nigga’s and bitch’s and sometimes worse.

Until the majority of Blacks are willing to make a conscientious effort which requires a lifestyle change in regards to the N word, it will continue to be used not only by Blacks but by other races as well.

Jasmyne Cannick is a commentator and activist who is known for addressing the issues others can't or simply won't. Chosen as one of ESSENCE Magazine's 25 Women Shaping the World in 2005, at 29, Jasmyne writes a popular daily blog at jasmynecannick.com and myspace.com/jasmynecannick. She resides in Los Angeles.

Monday, November 27, 2006

Angry crowd protests NYPD shooting



Story Highlights
• Five officers involved are placed on paid administrative leave
• Angry crowd gathers to demand answers about NYPD shooting of groom
• Crowd shouts that Police Commissioner Raymond Kelly 'must go'
• Police say no gun was found in victims' car
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NEW YORK (AP) -- An angry crowd shouted "No justice, no peace!" Some called for the ouster of the city's police commissioner. Many counted off to 50, the number of rounds that are estimated to have been fired by police at three unarmed men, killing one on his wedding day.

Several hundred people gathered Sunday for a vigil and rally to demand answers about why officers let fly a flurry of bullets at 23-year-old Sean Bell early Saturday, hours before he was supposed to marry the mother of his two young children.

The five officers were placed on paid administrative leave and stripped of their guns, said Paul Browne, chief spokesman for the NYPD. Police and prosecutors promised a full investigation.

But none of that stemmed the fury of a community outraged by the shootings. (Watch the crowd count down the number of shots fired Video )

"We cannot allow this to continue to happen," the Rev. Al Sharpton said at the gathering outside Mary Immaculate Hospital, where one of the two wounded men was in critical condition. "We've got to understand that all of us were in that car."

Relatives of the men, including Bell's fiancee, attended the vigil and rally but none spoke publicly.

Some in the crowd called for the removal of Police Commissioner Raymond Kelly, yelling "Kelly must go!"

Kelly has said that police shot at the car after it drove forward and struck an undercover officer and an unmarked police minivan. The information was based on interviews with witnesses and two officers who did not fire their weapons, he said.

But a witness account emerged Monday disputing that version of events.

Trini Wright, a dancer at the strip club where Bell's bachelor party was held, told the Daily News she was going to a diner with the men and was putting her makeup bag in the trunk of their car when the police minivan appeared.

"The minivan came around the corner and smashed into their car. And they (the police) jumped out shooting," Wright, 28, told the newspaper for Monday editions. "No 'stop.' No 'freeze.' No nothing."

Kelly had said Saturday the police department was still piecing together what happened and that it was too early to say whether the shooting was justified. He said it was unclear whether the officers, who were in plain clothes, identified themselves before firing.

On Sunday, Browne said, "We are continuing to look for additional witnesses to shed light on the incident and assisting the district attorney's office with its investigation."

Mayor Michael Bloomberg and Kelly planned to meet with community leaders at City Hall on Monday. Bloomberg and his aides were in contact with Bell's family and community leaders throughout the weekend.

The shootings occurred after 4 a.m. Saturday outside the Kalua Cabaret in Queens. Kelly said the incident stemmed from an undercover operation by seven officers investigating the club.

Bell was struck twice. The survivors were Joseph Guzman, 31, who was shot at least 11 times, and Trent Benefield, 23, who was hit three times. Guzman was in critical condition Sunday and Benefield was stable.

The officers' shots struck the men's car 21 times. They also hit nearby homes and shattered windows at a train station, though no residents were injured.

Police thought one of the men in the car might have had a gun, but investigators found no weapons. It was unclear what prompted police to open fire, Kelly said.

According to Kelly, the groom was involved in a verbal dispute outside the club, and one of his friends referred to a gun.

An undercover officer walked closely behind Bell and his friends as they headed for their car. As he walked toward the front of the vehicle, the car drove forward, striking the officer and minivan, Kelly said.

The officer was apparently the first to open fire, Kelly said. He had served on the force for five years. One 12-year veteran fired his weapon 31 times, emptying two full magazines, Kelly said.

In total, it is believed 50 bullets were fired, he said. It was the first time any of the officers, all of whom carried 9 mm handguns, had been involved in a shooting, he said.

At some point, Bell backed the car onto a sidewalk, hitting a building gate, police said. He then drove forward, striking the police vehicle a second time, Kelly said.

The police department's policy on shooting at moving vehicles states: "Police officers shall not discharge their firearms at or from a moving vehicle unless deadly force is being used against the police officers or another person present, by means other than a moving vehicle."

The police officers' group 100 Blacks in Law Enforcement Who Care said it was issuing a vote of no confidence in Kelly over the shooting.

Community leaders planned a rally December 6 at police headquarters.

This isn't the first time the NYPD has come under scrutiny over officer-involved shootings.
In 1999, police killed Amadou Diallo, an unarmed immigrant from Guinea in western African who was shot 19 times. The four officers in that case were acquitted of criminal charges. And in 2003, Ousmane Zongo, a native of Burkina Faso in western African, was hit four times, twice in the back

Tuesday, October 31, 2006

The Psychic Scars That Shaped an NBA Star


By Mike Wise
Washington Post Staff Writer
Sunday, October 29, 2006; Page A01

Mary Francis Robinson stood behind a security guard a few feet from where the players shoot layups before games at American Airlines Arena in Miami. On the jersey of the player she last saw when he was 3 1/2 years old was the number 0. She heard once he wore that number "because people always said he wouldn't amount to nothin'." · "Gilbert!"

Robinson yelled. · The fledgling NBA star settled on the woman's gaze. · "Gilbert! I'm your mom! I'm your mom!"
In a league with its fill of huge personalities and oversized egos, Wizards guard Gilbert Arenas stands apart because of his nomadic journey from a Miami housing project to the streets of Los Angeles, a caring father and a forgotten mother.

Gilbert Arenas froze, did a double-take and returned to the layup line, shaken by the woman's words. After the game, Robinson persuaded one of his teammates to bring her by the team bus to meet Arenas. She collapsed in his arms, Arenas recalled, hugging him by the waist as he held the sobbing woman upright. Ashamed that she had abandoned him 18 years earlier, continuing to cry, she handed him a piece of paper with her telephone number on it.

It was Arenas's second season with the Golden State Warriors. He was not yet 21 years old. He kissed Robinson on the cheek, turned and walked away.

Four years later, Gilbert Arenas has yet to call his mother.

"All I asked for when I was younger was to meet her," said Arenas, who on Wednesday begins his fourth season with the Washington Wizards. "That was it. God gave me that chance to meet her that day. I didn't want to know why, I didn't want to know all the things that happened. I just wanted to meet her. That was my only wish."

Before Gilbert Arenas became the antidote to Michael Jordan's bitter end in Washington, before he spun the District on his fingertips and carried the Wizards to their first consecutive playoff appearances in two decades, before he emerged from an unheralded high school career in Southern California to enjoy unexpected success at the University of Arizona and then in the NBA, there was this: a nomadic journey from a Miami housing project to the streets of Los Angeles, a caring father, a forgotten mother.

In a league filled with huge personalities and oversize egos, Arenas stands apart. A two-time all-star who last season scored the fourth-most points in the National Basketball Association, Arenas, 24, is one of the league's most enigmatic figures, an idiosyncratic loner, a charmingly candid young man who freely admits he pushes away those who get close to him.

To understand Arenas, you have to go back to the beginning. To understand his journey, where he has traveled and how he came to light up a moribund basketball team in Washington, you need to start over. To understand the player who gallops off the Verizon Center floor bare-chested after tossing his jersey into the stands following Wizards home games, who likes to practice alone in the middle of the night, who must own every DVD and collectible jersey he can buy, who is such an extroverted performer that he leaves work to become a solitary homebody, you have to go back to the rundown Overtown section of Miami. You have to go back to apartment No. 9.

You have to go back to the mother who gave him up there. And then you have to come forward, to the mother of his 10-month-old baby girl and the opulent red brick home he bought for them on a cul-de-sac in the Virginia suburbs.

"Whatever happens in your past, you get second chances," Arenas said. "Basketball is where I put all my pain and let it go. The court became my sanctuary, my outlet. Most males, we don't have outlets. A lot of females don't realize we can't go and tell our friends our problems. We don't talk about that. That's why a lot of men have stress. Some golf, some do strip clubs or whatever. Mine was going on the basketball floor.

"By showing up in the gym and looking at the rim and holding the ball, I got some of that out."

* * *

'Come get your boy'

Gilbert Arenas Sr. got an offer he couldn't refuse in 1985.

"Come get your boy."

"One day I get a phone call: 'Hey, look, you don't know me and I don't know you. But Francis is not raising your son,' " he was told.

He did not remember the woman's name, but he recalled that she said she was the grandmother of a child Mary Francis Robinson had had by her son.

"She said: 'I just happened to find your number through the agency. But I'm giving you an opportunity to be a father. I have your son with me right now in Miami.' "

"They found both of the babies in a crack house," Gilbert Sr. said.

"She had left the kids there. I said, 'Hey, look, say no more. I'll be down there."

He left Tampa immediately and drove through Alligator Alley. Four hours later, he arrived in Overtown. He drove down a side street until he reached a steel-fenced housing project, found the apartment and knocked on the door.

A rambunctious child of almost 4 greeted him as he walked through the door.

"He was full of smiles," Gilbert Sr. said. I could see that glare in his eyes, that glare that, normally when you around good things and good things about to happen, I seen it. He had this big smile on his face."

"Do you know who I am?" Gilbert Sr. asked.

"Yeah," Little Gil replied.

"Who am I?"

"My daddy."

"You, you -- right."

"I said, 'So you have all your clothes?' He said, 'Yeah.' I look in the bag. He had like three pieces of clothing. No underwear. No nothing.

"I said, 'You ready to go?'

"He said, " 'Yeah.' "

Gilbert Arenas Jr. walked out the door of apartment No. 9 and, in the late summer sun, got into his father's car to begin life anew.

"You could tell that was the best day of his life," his father said.

Gilbert Sr. drove his son to West Tampa, to the same house on Cherry Street he and his two brothers grew up in and two blocks from where his grandfather, Hippolito Arenas, a first-generation Cuban American, rolled cigars at a now-decaying brick factory. Fannie Lee Arenas, Gilbert's grandmother, cared for Gilbert the next few years as his father tried to kick-start an acting career.

Three years after gaining custody of his son, Gilbert Sr. decided to move across the country. "Gil, let's go," he told the 7-year-old boy. "We goin' to California."

An industry guide, the Ross Reports, Gilbert Sr. recalled, had said the movie and television studios were in Hollywood and Burbank. He took the Burbank exit off the 101 Freeway until he reached Olive Park. First day in Southern California and there Gilbert Sr. was, playing softball alongside the cast of "The Days of Our Lives," who just happened to need a catcher.

"What's the guy's name, 'Wax on, wax off?' " Gilbert Sr. asked. Pat Morita, the late actor from "The Karate Kid" movies? "Yeah, he came out, too," he said. "I'm thinking, 'This is great. I'm out here with some stars.' "

The only problem was, he and Gilbert had no place to live. Gilbert Sr. saw a 7-year-old boy playing on the swings who needed a Happy Meal. He had $25 to his name.

He slept on the windshield of his blue Mazda RX-7 part of that first night and opened the hatch so some air could get in while little Gilbert slept in the back. "I'm sitting there, thinking, 'Man, this is not a good move.' "

He recalled a police officer knocking on the car window around midnight, telling him he could not sleep in the park with his son. He drove to a Thrifty drug store and parked behind the building. For the next three days, Gilbert Sr. and his young son spent their mornings and afternoons at Olive Park and their nights in the back of a parking lot, trying to sleep in a coupe on the outskirts of Hollywood.

"Me and Gil used to have this game we used to play called, 'Fly-Away,' " Gilbert Sr. said. "I don't know why, but the sound used to make him smile. 'Woo-Woooo!' Well, I wanted to fly away. The sun set and I would think to myself, 'What the hell am I doing here?' I didn't have anything, including a clue. He didn't know what I was thinking. Tears are about to start rollin' out of my eyes.

"Then Gil said, 'Daddy, what's wrong?' I said, 'Nothin'.' He said, 'We goin' be all right.' "And I looked at him and said, 'Yeah, we are.' He's telling me that at 7 or 8 years old."

Within 12 hours, Gilbert Sr. had an $8-an-hour job, $1,500 through a loan company to put him and his son into an affordable apartment, and free day care; the boyfriend of the apartment complex manager volunteered to take care of Gilbert after spending three minutes with him. Strangers who overheard Gilbert Sr.'s woes would slip $20 bills into little Gilbert's hands. The Brookstree Apartments in Van Nuys became their home for almost nine years.

"Gilbert was my good-luck piece," Gilbert Sr. said. "Everywhere I went, people fell in love with him and wanted to do things for us."

On a tour of Arenas's childhood haunts in July, Gilbert Sr. pointed to a bench at Olive Park, which is now called Izay Park. Across a freshly mowed field where he and young Gilbert had sat is the park's signature feature, a Lockheed F-104 Starfighter.

The baby blue jet arches toward the sky, rising up from the grass, its nose pointed toward the heavens. "Gil would play on that and try and climb it," he said.

When he was 16, the Wizards' star recalled recently, he began dreaming about a big spaceship in a park. "My life was good when I saw that spaceship," Arenas said. "I just wanted to ride away on it and I knew everything would be okay."

Told that the jet and the park were not his imagination, Arenas smiled in wonderment. "That wasn't a dream? The ship was real? That's where we stayed?' "

While his father escorted a visitor around the old park that afternoon in July, Arenas was in a studio called the House of Moes in Marina del Rey filming an Adidas commercial in which a robotic Arenas dominates the basketball court and, ostensibly, the world. Between cuts, Arenas rose from a nap in the star's trailer, yawned and declared, "Man, this is work."

Gilbert Sr. never starred in a movie. But he got a speaking part on "Miami Vice" once and, at age 45, has done a couple of commercials and occasionally auditions for minor roles. But he seems content in his modest North Hollywood apartment, where he's lived since Arenas left for college.

"People might look at my dad like, 'Oh, you wasn't an actor, you didn't do this.' Maybe he came to California for me, to give me a chance. Maybe he didn't do what he wanted to do, but I did," Arenas said. "So, he actually did get big in Hollywood because I got big. Sometimes, back home they can look at him like, 'Oh, you didn't become that movie star on television like you said.' Well, he can say, 'My son's on television every day.' "We're both goofy and we're both hard-working," he added. "You always try not to be your father, you know, 'I'm nothing like my dad.' But I am my dad."

Gilbert Sr. said, "A big piece of Gil is me and I'm sure a big part of me is him."

* * *

'What's my mother's name?'

The day after Arenas met Mary Francis Robinson, he said nothing about the encounter to anyone. Then he told his Dad.

"We went to the Cheesecake Factory the next night and that's when he pulled me aside and said, 'Dad, what's my mother's name?' I said, 'Why?' "

"I'm just curious," Arenas told him.

"I said, 'Mary Francis.' "

"Well," his son said, "I just met this lady last night at the game who gave me this phone number and said she was my mom."

"And?"

"Well, that's all. I didn't say anything. We just hugged each other and she started crying."

Gilbert Sr. took the piece of paper from his son and phoned Robinson, the woman he remembered as a long-limbed, pretty teenager at Jefferson High School in Tampa, back when he had the same athletic dreams his son lives today.

They dated for about a year, and sometime before Gilbert Sr.'s graduation he found out she was pregnant. A multi-sport star who was known on the West Tampa courts as "Gil the Thrill," Gilbert Sr. had an uncle coaching at Florida Memorial College outside Miami who had offered him a baseball scholarship. He left Tampa and his pregnant girlfriend to better their future.

"I knew it would be a crossroads between me and her trying to make the baby thing work," he said. "I had worked it out for her to stay with my family, but Gil's mother decided she wanted to make her own life and make her own decisions. When she got out on her own, she met certain people. Certain people got in her head and convinced her to do certain things. That's where her problem lies."

He came home from spring break after Gilbert was born. Mary Francis had moved to the projects in Tampa. "I remember thinking, 'Man, this isn't good for my son,' " Gilbert Sr. said. "But I couldn't do anything at the time because I didn't have full custody.

"One particular time I was at her house, and Gil and I were asleep. I woke up and had to come down the stairs for something. She had one of her girlfriends over and they had this aluminum foil on the top of the car. I think they were doing snow at the time."

"What the hell are you doing?" Gilbert Sr. recalled asking them.

"You don't want to know," Mary Francis replied. "You don't want none of this."

"You got a kid upstairs," he told her. "You don't need to be doin' this crap."

Their son was not yet 2 years old.

"I left the house," Gilbert Sr. said. "That was the last time I ever saw her."

* * *

'He comfort me so much'

Twenty-one years after Gilbert Sr. picked up his son, the door to apartment No. 9 in the Town Park Plaza North Condominiums in Overtown opened again, this time for a visitor.

"You wanted to meet Gilbert's mama?" said Virginia Huggins, the woman who had phoned Gilbert's father and asked him to come get his son two decades earlier. "She's upstairs. She'll be down in a few minutes."

A slim woman of 43 in a casual jean skirt, lime green floral-print blouse and seashell necklace sheepishly walked into the living room and sat down on the plastic covering of Huggins's sofa. "I don't go by Mary, I just go by Francis," she said.

She began to peel back the layers of a hard life, which changed dramatically, she said, after she got pregnant with Gilbert and his father left for college.

"I just felt abandoned," Francis said. "I was so angry, I just moved out in my own apartment instead of trying to work at it with Gilbert's father. I just . . . if I knew what would have came of things, I would have done things differently."

She spoke in a raspy, weathered, sometimes unintelligible voice, and wept often between sentences, pausing to laugh when the 22-year-old man comforting her on the sofa gave her grief about her tears.

"Stop cryin', Ma," said William "Blue" Robinson, Gilbert's half-brother, the kid Gilbert once accidentally bounced off a water bed and dragged behind him while teaching Blue to walk.

"Shut up, Blue," she said, wiping her eyes and laughing. "Gilbert changed your Pampers."

Blue never met his father. He was shot and killed in Tampa, bleeding to death in Mary Francis's arms a month before she gave birth to her second son. By then, she had fallen into drugs and depression.

Huggins, 66, was so traumatized by her son's death, she moved the family to Miami, and Francis followed. "I just stopped caring after a while," Francis said. "I lost the strong side of me."

"He comfort me so much," she said of Gilbert. "Even when he was so little, Gilbert was the man of the house. He would hold me and tell me, 'We'll be all right.' He couldn't have been more than 2 years old, but he used to bring me something to eat. In all my dreams, he was still 3 years old coming across the street to see me."

Wanda Huggins, Virginia's daughter, was awarded custody of Blue, whose jocular gait, soft complexion and sinewy body frame today make him a spitting image of his older brother. Wanda also is raising Wanisha, Gilbert's 14-year-old half-sister. "She love Gilbert," Wanda said. "She always see him on TV. She want to get to know him."

In all, Arenas has five half-brothers and two half-sisters. They range in age from 7 to 22. He has never met them.

* * *

'I don't need his money'

On the way to a buffet restaurant a few miles from the housing project, Blue spoke about his desire to become a detective despite forgoing college for a job at a Publix grocery warehouse. He proudly showed a cellphone video image of himself at a shooting range, and spoke to his mother about the second firearm he had recently purchased.

"You got two guns, Blue? I didn't even know you had one," Francis said.

"Mom, it ain't like we live in the damn suburbs," he said, pulling a silver-plated, 40-caliber Taurus handgun from the pocket of his oversize jean shorts.

"Can I hide this under your seat while we go in the restaurant?" he asked, politely.

Francis relies on men on the street in Overtown, men with nicknames such as "Kool-Aid," "Cornbread," "Wine" and "Bonnie," to keep her abreast of her eldest son's exploits. "Mostly Kool-Aid," Francis said. "He always tellin' me, 'Oh, Gilbert on the injured list,' or 'Gilbert got selected to the all-star team.' Kool-Aid always say, 'If you ever do meet him again, get me a jersey.' Everybody on the streets tell me, 'Girl, you crazy. He got all that money and you his mama?' I tell them, 'That's his money.' I don't need none of it. I just want my kids to get together one day and meet each other."

Francis said she lost track of Gilbert for several years until a family member told her that her son was a star basketball player at the University of Arizona. It would take a couple of more years until she reached out to him at that game in Miami.

"I feel like since I abandon him, I didn't know how he was going on with his life and if he wanted to hear from me," she said. "I barely came up to his waist when I saw him that day in Miami. I was cryin' and so ashamed."

Under the alias Alexandra Delphing, Francis has a criminal record in the Miami Police Department database dating from 1989, according to a public information officer at the department. "I came up with that name 'cause I didn't want things to keep going back to my name," she said. She has been drug-free for some time, though would not elaborate. "I still drink my beer now and then," she said.

"The life I been livin', I ain't happy with it," she added. "I'm trying to maintain on the outside. I joke to make people laugh. But little do they know I'm hurting inside."

Outside the restaurant, Francis broke down again. "I scarred Gilbert real bad," she said through her sobs. "I know I did. Not just him, but myself, too. I scarred myself.

"I don't need his money. I just want him to know I love him regardless. Regardless. I know it's not right for me to ask, but if he can ever find it in his heart to forgive me. . . ."

* * *

'I don't hate my mother'

Gilbert Arenas says he's not interested in reconnecting with his mother at the moment.

People close to him say this is not because he carries any animosity toward her. In fact, those who know him best say his encounter with her had deeply traumatized him.

"It's definitely caused some issues," said Howard Levine, Arenas's coach for three years at Grant High School in Burbank, Calif. "Just imagine you don't have the love of your mother. This is a kid who doesn't trust people too much. This is a kid who thinks people will abandon him."

Arenas says his father once tried to tell him the story of how he came to Miami to pick Gilbert up as a child. "I was watching TV and told him, 'I really don't care. If you want to, get it off your chest,' " Arenas said. "He's like, 'You don't want to know how I got you?' I never even thought about it. It's the past. You move forward.

"Everyone is not built to be parents," Arenas continued. "You can't judge anybody. I don't judge her because my Dad did a great job with me.

"I'm here. I could have been against the world. 'Oh, my mom left me,' and blamed everything on that. But I can't be like that. She had me at 17. . . . Seventeen, you're still trying to become a young lady." [Robinson was 18 when Arenas was born.]

Told of his mother's wish for forgiveness, Arenas paused and thought.

"Everyone forgives," he finally said. "But you go 24 years without somebody, it's like a stranger, you know. What can you say? I don't hate my mother [or] hate women because of what happened in my childhood."

* * *

'I'm always in the middle of life's problems'

Laura Govan lives in a new, 7,000-square-foot home in Northern Virginia that Arenas purchased for her and their 10-month-old daughter, Izela Semaya, whom Gilbert calls "Iza" and "Cheyla." His place is about a three-minute drive away.

They met about five years ago, as he was emerging as the best player on the Golden State Warriors. Half African American, a quarter of Mexican and Hawaiian extraction from her mother's side, Govan is an attractive 27-year-old, 2 1/2 years older than Arenas. She grew up in a prominent family of nine in the affluent Bay Area community of Orinda.

They dated for about two years, but slowly grew apart after Arenas signed a six-year, $65 million contract with the Wizards in the summer of 2003 and moved to Washington. She was working in the public relations department of the Sacramento Kings at the time after having worked briefly for Los Angeles Lakers star Shaquille O'Neal.

Such was the on-and-off nature of their relationship that Arenas was surprised last year when he learned Govan was carrying his child. But Arenas, having secured permission to quietly leave the Wizards during a Western Conference road swing, was on hand in the birthing room in Oakland last Christmas Eve when Govan gave birth to their daughter.

Within weeks, though, Arenas and Govan were arguing over issues of custody, paternity and the fragile state of their relationship. Govan hired an aggressive Bay Area law firm, which threatened to embarrass Arenas by serving him with a paternity suit on national television during a game in Sacramento on March 28.

Arenas was advised by his attorney to avoid being served a subpoena in the state at all costs, noting that he could suffer a severe personal loss of wealth because of California laws governing paternity and child support.

Arenas said Wizards owner Abe Pollin agreed. "Abe Pollin was like, 'This can't happen,'" Arenas said.

The team concocted a story: Arenas had the flu. "I called my teammates. They said: 'Don't worry. We're going to win this game. We'll meet you on the plane.' " Arenas watched on television in his hotel room as the Wizards beat the Kings without him. The team spent the night in Sacramento, but Arenas flew to Houston with at least two teammates, he said.

The Wizards did not deny the episode. When asked about it last week, the team issued a statement by Pollin. "We're proud of Gilbert as a player and as a person," he said. "He has overcome a great deal in his life, he has exceeded most people's expectations, and he has become an integral part of the Washington, D.C., community. Most importantly, Gilbert is a member of our family, just as everyone is that works for me."

What began as a lovers' spat morphed into a cross-country, cat-and-mouse game in which the Wizards' star hid in hotel rooms under aliases to avoid being served in person. The entire Wizards organization played its part to keep the matter out of the public eye.

Arenas believes his personal troubles actually helped unite the Wizards last season. "I think that's when my players looked up to me," he said. "They knew everything I was going through and I'm going out there fighting, doing everything I'm doing on that floor and it doesn't look like it's fazing me. I told my teammates: 'I'm not going to worry about what's going on now; we have to worry about what's going on on the floor. Don't think I'm thinkin' about something else. I'm going to deal with that after the season.' So I was like, 'You guys just protect me here and we'll work that out after the season.' "

The ordeal went on so long it actually became a running gag with some of the Wizards. "We made it into a big joke," Arenas said. "My teammates would say, 'Gil's on the run again,' or, 'You dodged that one like "The Matrix." ' Oakland, Sacramento, Houston, Chicago. They were trying to serve me everywhere. I would stay under an alias."

In Oakland, Arenas narrowly escaped being served when teammate Donnell Taylor was mistaken for him at a practice, giving Arenas enough time to flee.

"All I heard was: 'We're going to get him by any means necessary. If he's shooting a free throw, we'll run on that floor and embarrass him, that's what we're going to do.' It got that crazy and nasty," Arenas said.

Arenas finally called Govan and asked her to pull back. "I said: 'Why are you doing this when I told you if you give up custody I will take my daughter. I want my daughter. I will do anything for her. I don't understand what you're trying to do.' "

Govan now regrets what she put herself and Arenas through. "I called the lawyer one day and said, 'I didn't want you to serve him, I just wanted you to scare him,' " she said. "He took it to World War II extremes."

Arenas called Govan's father, with whom he says he is close, and negotiated a mutually beneficial plan that would allow her to live near Arenas with her own house, car and financial allowance. After Govan's attorney had been paid off -- Arenas said it cost him about $10,000 -- and they had agreed to raise the child together, the two met face-to-face.

"We realized how much money we wasted, how much time we wasted," Govan said. "In the end, we just sat down and looked at each other."

Arenas took a paternity test two weeks after the season to ensure he was the father.

"I'm always in the middle of life's problems, I'm so used to the chaos," he said. He refers to himself as a single parent and says he is unsure whether he and Govan will ever work out as a couple. "We're in hot water right now," he said. "It's so hard to be a parent when you're not with the woman. Especially when you see what you don't want to be. I don't want to be like my mother. I don't want to be like every NBA player that sits there and pays child support. Never meet your kid."

"We're still working on this," Govan said. "Today, we're on. Tomorrow, we're not. One of the problems is, Gilbert and I are both so stubborn."

She is almost five months pregnant with their second child, a boy.

One day during an argument, she said, Arenas stormed out of the house. He came back minutes later. "He said: 'I'm sorry. I can't help it. Everybody I love, I push away. That's who I am.' "

"It's true, I catch myself doing that all the time," Arenas said. "I think that's the only way you know who's true. If you push them away and you push them to where they hate you, and if they're still around, those are true people. But if you push them away and they leave, it was never meant to be. You're just a leaf on a tree that just blew off."

Friday, October 20, 2006

'The Wire' Calls Out Destructive Culture


Show Unmasks 'New Black KKK' Role in Genocide
Alex Haley’s TV miniseries "Roots" set Nielsen Ratings records, won numerous awards and made the whole country take part in an uncomfortable-but-healthy conversation about race and racism.

For a lot of people, "Roots I" and "Roots II," released in 1977 and 1979, put the Black condition in context for the first time. It was largely a story about what institutionalized, white racism did to black folks and how one black family chose to fight it.

America, it seems, takes great satisfaction and perverse pleasure in watching black people battle systematic disenfranchisement imposed by white people.

We apparently have little interest in watching or learning about how black people participate in their own disenfranchisement.

Yes, this is AOL Sports, but I told you at the outset that Real Talk would stray into more important areas than sports. We want to be a vehicle for change, a place that sets the standard for honest, intelligent conversation about the issues that separate us.

Today I want to talk about my favorite TV show – "The Wire" – because it chronicles a self-imposed enslavement, and it’s being ignored by viewers and the Emmys. Worse, David Simon’s powerful HBO series about black youth caught in America’s war on drugs and our collective indifference to the bloodshed has sparked little healthy conversation.

"The Wire" details a genocide in poor black communities that in some ways is much sadder than anything in Haley’s epic. Roots focused on Kunta Kinte’s legacy of fighting back against the oppressor. The Wire meticulously details that political forces, black and white, work in conjunction with what I like to call the new Ku Klux Klan (black gangstas) to keep black youth uneducated, strung out, parent-less and unprepared for a life that doesn’t include prison bars and a same-sex life partner.

Like Haley’s Roots, Simon’s Wire, especially season 4, should be hailed on the cover of Time, analyzed on Nightline and discussed on Oprah’s couch.

Instead, we’re ignoring it because black people are embarrassed by it and still think the solution to our problems is the responsibility of a white daddy. White people are ignoring the discussion because they don’t want to appear racist and they don’t want the responsibility of fixing a problem they acknowledge white racism created but they know has a black-led-and-created solution.
It’s on us. Begging white people to give us jobs and wallowing in victimhood won’t stop black men from going to jail at an alarming rate or slow incredible divorce and child-illegitimacy rates or improve our performance in school.

If begging white people to take care of us worked, Jesse Jackson would be president and Michael Jackson would be the First Lady.

What will work is a sea of change in black American culture. We’ve lost our inner Kunta Kinte. Too many young (under 45) black men and women are on the payroll of the new Ku Klux Klan. Oh, Klan wages are high. A talented rapper can make a fortune sucking on the N-word like a Tic Tac at an onion buffet and promoting crack dealing to single black mothers. And TV networks are passing out phat contracts to black men and women willing to Flavor Flav and Nat X for dollars.

But just because I understand the temptation doesn’t mean the submission to it is any less repulsive. The white guys under the white hoods succumbed to the exact same temptations. There’s money and power in exploiting the poor, selling self-hate to black people and maintaining a permanent underclass.

What I don’t understand is why we’re disturbed by white Klansmen and unmoved by black ones.

It’s like we went back to the future and awakened to a world where black people are the oppressors of black people – call it “Black To The Future.” The KKK used to ride in the middle of the night, snatch strong black men from their families and beat and/or lynch them.

In episode 5 of "The Wire," David Simon illustrated how the new black KKK operates much like the traditional Klan, snatching strong black men in the middle of the night. Chris and Snoop, enforcers for drug kingpin Marlo Stansfield, strolled down a dark alley to recruit Michael Lee, a natural leader, a good kid who looks out for his little brother. Chris made the sales pitch. Snoop backed it up with some intimidating words. And then Chris handed Michael money.

We don’t yet know which direction Michael will go. The season is only half over, but Simon has foreshadowed the inevitability of Michael’s decision. His mother is strung out on crack or heroin. At age 14, he’s already responsible for his little brother. One of his best friends, Namond Brice, is being raised by a mother who is forcing him to become a dope dealer and a behind-bars father who was a pathological killer for the old drug kingpin Avon Barksdale. Michael’s other best friend, Randy Wagstaff, lives with a foster mother and is prone to making horrible decisions in pursuit of money.

If you watch "The Wire" and understand the reality that’s being depicted, you’re forced to wonder why black people tolerate the hip hop music that celebrates and glorifies the drug-dealing and anti-education culture.

We’re celebrating our own genocide!

We’re promoting a culture that is destroying us!

I can’t believe we’re not watching and talking about "The Wire." It’s the most important TV show about the condition of disenfranchised American blacks since "Roots."

As comforting as it is to blame our woes on white people, we must break that debilitating habit and deal with our own contributions to our murder, divorce, incarceration and illegitimacy rates and our collective failure in school.

They are not byproducts of skin color. They’re a byproduct of a culture of self-hate. No doubt institutionalized racism ignited the American black culture of self-hate. Only we can stop it.

Stopping it begins with standing against the black KKK, the people turning a profit by selling black buffoonery and criminality. Stopping it begins with recognizing we truly control our destiny.

Stopping it begins with having a real discussion about what we’re doing to ourselves. "The Wire" is putting it out there for everyone to see. Why ignore it?

By Jason Whitlock AOL
http://sports.aol.com/whitlock/_a/the-wire-calls-out-destructive-culture/20061013131409990001

Friday, October 13, 2006

The Making of a Black American Millionaire


The Making of a Black American Millionaire

An inspiring man he made a way for himself when there was no way. Born Arthur George Gaston in the racially segregated Demopolis, Alabama, he never went beyond the 10th grade in school. He founded the Booker T. Washington Insurance Co. in Birmingham in 1923 with $500 and began selling insurance policies to steel workers. .

Gaston’s business empire grew to include two radio stations, two cemeteries, the Citizen’s Federal Savings Bank in downtown Birmingham, and more. Added to his business sense, he had a passion for equality. Gaston once posted the $5,000 bail for Rev. Martin Luther King Jr., following his arrest for marching without a permit. (It was while in jail that King wrote his famous “Letter from Birmingham City Jail.”) .

Gaston sold his insurance company in 1987 and worked at his bank until 6 months before his death. A. G. Gaston died in his hometown in 1996. He left behind an insurance company, the Booker T. Washington Insurance Company, a construction firm, the A.G. Gaston Construction Company, and a financial institution, CFS Bancshares. The City of Birmingham owns the motel, which it plans to make into an annex to the Birmingham Civil Rights Institute, built on the former site of the Booker T. Washington Insurance Company. His net worth was estimated to be more than $130,000,000 at the time of his death.

HOLY HIP HOP ADVOCATE CHRISTOPHER 'PLAY' MARTIN: Former actor teaches the lessons of Hip Hop in new college course

Old school rapper, Christopher "Play" Martin (of rap duo Kid 'N Play) is now a professor at North Carolina Central University schooling students about the history of Hip Hop.

In addition to being an integral part of Hip Hop history himself, Martin is also a key supporter of the Holy Hip Hop Movement.

Good Morning America, Co-Anchor Charles Gibson recently interviewed Professor Martin regarding his college course titled "Hip-Hop In Context." To View interview of Christopher Martin on Good Morning America, Click Here.

Wednesday, October 11, 2006

The KKK's Last Meeting

Check out the story at the link below.
http://blackartemis.blogspot.com/2006/09/kkks-last-meeting.html

Friday, October 06, 2006

Jay-Z "Assists" NBA Live


Hip-Hop heavyweight Jay-Z will make an appearance in EA's new NBA Live '07 video game for Playstation and Xbox 360.

Consumers who purchase the new Reebok S.Carter Basketball IV shoe will receive a unique unlockable code to access the exclusive Jay-Z character, his S.Carter All-Stars and Rbk/S.Carter Arena for use in the game. The new edition of the S. Carter Basketball IV shoe hits Champs Sports stores on Wednesday, October 11, 2006.

The opportunity will mark yet another first in the multi-faceted career of the Brooklyn rapper.

"I always want to reach out to people in new and ground breaking ways and this collaboration with Reebok and EA does that by combining several things important to me: basketball, gaming and footwear," said Jay-Z. "NBA Live has always been one of my favorite games and I'm excited to play the latest edition and to be a part of it."



The Jay-Z character will encompass the skills and traits of many of the rapper's favorite pro hoopers, making his character one of the most skilled in the game. Jay-Z will boast the quickness of Allen Iverson, the leaping ability of Baron Davis and the three-point touch of Peja Stojakovic, among others.

"The players Jay-Z chose to have his character modeled after would be on the ultimate wish list of any basketball fan," said Brent Nielsen, Senior Producer of NBA Live '07 on Xbox 360 and PlayStation 3 console. "Fans will have fun and enjoy the opportunity to play with a character with super hero- like qualities that we have created for Jay-Z."

The unlockable Jay-Z character will also be available as a free agent to join gamers' favorite NBA team in both Season and Dynasty modes in NBA Live '07.

For more information, gamers can log on to nbalive07.com.

Wednesday, October 04, 2006

Wolverine debuts ESP portable multimedia player


Wolverine debuts ESP portable multimedia player

By Peter Cohen

Wolverine Data has introduced its ESP — a portable multimedia player that’s Mac and PC-compatible. It plays music and video, displays pictures and more. It’s available in 80GB and 120GB models for $399.99 and $499.99, respectively.

The Wolverine ESP features a 3.6-inch TFT LCD display and weights 10.2 ounces. It features a built-in 7-in-1 flash media card reader that makes it compatible with CompactFlash, MicroDrive, Secure Digital, MMC, Memory Stick, Memory Stick Pro and XD Card formats.

The Wolverine connects to a Mac or PC using USB 2.0, and can display JPEG, BMP, TIFF, text or RAW images. It can also play back MPEG-1, MPEG-4, WMV-9 and XviD-encoded video files. It can play MP3, WMA, WAV, unprotected AAC and CDA audio formats. It also features a built-in AM/FM radio.

An optional $79.99 ESP Cradle enables the device to record video directly from TVs, DVD players, VCRs and other analog video sources.

The ESP comes with a replaceable lithium ion battery, AC charger, USB cable, auxiliary cable, earphone, carrying case and documentation.

http://playlistmag.com/news/2006/10/03/esp/index.php?lsrc=mwrss

Tuesday, October 03, 2006

'Class of 3000' TV Premiere Scheduled


Class is in Session

The long-awaited animated television series co-executive produced by industry leading musician André "3000" Benjamin, has finally been granted a television premiere on its home network, the Cartoon Network. The story of a popular musician named Sunny Bridges who gives up the life of a superstar to teach children the wonders of music, the new animated television series Class of 3000 will be filled with audio interests and much more. André Benjamin, one-half of the popular musical group OutKast, has expanded his repertoire with various acting and production projects and efforts in recent years; and as such, contributes a great deal to the look and feel of Class of 3000.

This new primetime half-hour program will focus on the efforts of Sunny Bridges to teach, inform and have fun with a diverse group of musical prodigies in Atlanta, Georgia. When children gifted in the musical arts are in need of a caring mentor, one Sunny Bridges steps into the equation. Voiced by André "3000" Benjamin himself, Bridges devotes his time and energy to priming the creativity of today's youth. Class of 3000 will integrate Benjamin's unique style and flair with the world's fondness for impressionable music. Those curious for exploring more of what it is like to confront new social interests with a passion for the musical arts should definitely keep an eye out for this new program.

[click to enlarge]
Class of 3000 will join the continually expanding and continually evolving FRIDAYs programming block on Cartoon Network this fall season. The new show will have a one-hour premiere on Friday, November 3rd 2006 at 8:00pm (ET). But anxious viewers should be sure to tune in an hour earlier, because at 7:00pm Cartoon Network will begin airing a kick-off special for Class of 3000 with a special musical event. Taking place at the Fox Theatre in Atlanta, GA this will feature special guest star performers.

The series, which currently has twelve half-hour episodes in production in addition to the premiere, will reportedly feature a new song every week from show creator André Benjamin in the context of a music video. Benjamin wrote and performed the series' theme song while additionally assisting in production, writing, voice, and music and video direction. And as previously mentioned, his own voice over work as lead character "Sunny Bridges" is icing on the cake. Television viewers curious about the general look and feel of this new Cartoon Network series can catch the half-hour mockumentary, "Sunny Bridges: From Bankhead to Buckhead," on Friday, October 27th at 7:00pm (ET); a week before the series premiere, which chronicles the life of fictional music star Sunny Bridges with interviews and insights.

The cast of Class of 3000 includes veteran voice actors Tom Kenny ("SpongeBob," Camp Lazlo), Phil LaMarr ("Foster's," Justice League, Samurai Jack), Crystal Scales (Static Shock, "Adventures of Jimmy Neutron"), Jennifer Hale (Samurai Jack, The Powerpuff Girls), Janice Kawaye (Hi Hi Puffy AmiYumi) and Jeff Glen Bennett (Johnny Bravo, Camp Lazlo).

Class of 3000 is produced by Cartoon Network Studios in association with the Tom Lynch Co. and Benjamin's production company, Moxie. Thomas W. Lynch and André "3000" Benjamin are the executive producers of Class of 3000. Twelve half-hours and a one-hour premiere are in production at Cartoon Network Studios in Burbank, Calif. The show's co-executive producer and head writer is Patric M. Verrone, a writer for Futurama, The Critic and Pinky and the Brain and a supervising producer on Futurama. Joe Horne (The Boondocks, Teamo Supremo, The Oblongs) serves as supervising producer.

About Cartoon Network: Cartoon Network (www.CartoonNetwork.com), currently seen in nearly 91 million U.S. homes and 160 countries around the world, is Turner Broadcasting System, Inc.'s ad-supported cable service offering the best in original, acquired and classic animated entertainment for kids and families. Overnight from 11 p.m.-6 a.m. (ET, PT) Sunday-Thursday, Cartoon Network shares its channel space with Adult Swim, a late-night destination showcasing original and acquired animation for young adults 18-34. Turner Broadcasting System, Inc., a Time Warner company, is a major producer of news and entertainment product around the world and the leading provider of programming for the basic cable industry.

Monday, October 02, 2006

Forty Million Dollar Slaves


Forty Million Dollar Slaves

Arts: How sports stardom has brought black athletes wealth without progress and prosperity without freedom.

Book Review By Elizabeth Gettelman

July 5, 2006


$40 Million Slaves : The Rise, Fall, and Redemption of the Black Athlete
By William C. Rhoden
Crown. $23.95

Sports, for some, represent the best in humanity, where talent and muscle can transcend difference and prejudice: Jackie Robinson, Muhammed Ali, Althea Gibson—pioneers whose accomplishments beyond sports are legend. But these legends, says William Rhoden in Forty Million Dollar Slave may be just that, amounting to a crutch for modern day race relations. A New York Times sports columnist for decades, Rhoden chronicles a sweaty history that has meant wealth but not always progress, and prosperity for the black athlete—the $40 million slave—who is far from free.

Rhoden gives the bench players of history their due. Like Arthur "Rube" Foster who created baseball's Negro League in 1920, which still stands as the only sports operation owned, managed and played by blacks. Says Rhoden, "Integration in sports—as opposed to integration at the ballot box or in public conveyances—was a winning proposition for the whites who controlled the sports industrial complex." Foster was a pioneer of a different sort, "an uncomprising guiding light," ultimately undone by a nervous breakdown in 1926.

Today's legends, those with perceived "black power," like the deified Michael Jordan, seldom wield it. "What [Jordan] did to inspire the multitudes—that core of black people estranged from power, the seemingly permanent underclass—beyond hitting game winning jump shots, is hard to find," Rhoden writes.

Peppered with historical gems and did-you-knows, 40 Million Dollar Slaves weaves together the twin strands of innovation and struggle that today define adrenaline-filled arenas. Jackie Robinson actually integrated baseball in Canada, signing with Montreal in 1945, (the Dodgers bought his contract in 1947). The alley-oop was actually a football invention and horseracing and cycling were once dominated by African Americans.

It's the unsung heroes from Robert Molineaux to Foster to Curt Flood, dozens of stories of men (nearly all) whom we don’t know precisely because they sought change and often lost. And thus today Americans, of all races, pour $34 billion a year into sports—from ticket sales to merchandise—while just a sliver of those revenues go to the "black muscle" that creates it, and next to nothing goes into the communities from whence that muscle came.

Elizabeth Gettelman is research editor at Mother Jones.
http://www.motherjones.com/arts/books/2006/07/40_million_dollar_slaves.html

Florida police shot suspect 68 times, discharged 110 rounds


http://www.cnn.com/2006/US/10/01/deputy.shooting.ap/index.html?section=cnn_us

LAKELAND, Florida (AP) -- Officers fired 110 rounds of ammunition at the man suspected of killing a sheriff's deputy, according to an autopsy and records released by the sheriff's office Saturday.

Angilo Freeland -- who was suspected of fatally shooting the deputy after being pulled over for speeding Thursday -- was hit 68 times by the SWAT team members' shots, the examination showed.

He also was suspected of wounding a deputy and killing a police dog. (Watch the wooded area where the manhunt ended in barrage of gunfire -- 1:52)

Freeland's death ended a nearly 24-hour manhunt that forced schools to lock down and families to stay indoors as about 500 officers scoured the woods.

The wounded deputy had pulled Freeland over for speeding and became suspicious of his identification. The suspect got nervous and bolted into the woods, officials said.

Polk County Sheriff Grady Judd said he was not concerned by the number of shots fired.

"You have to understand, he had already shot and killed a deputy, he had already shot and killed a K-9 and he shot and injured another deputy," Judd said by phone Saturday. "Quite frankly, we weren't taking any chances."

Ten SWAT officers surrounded Freeland on Friday as he hid beneath brush and a fallen tree in a rural area. Authorities say he raised the gun belonging to the deputy he had killed, prompting nine officers to fire.

"I suspect the only reason 110 rounds was all that was fired was that's all the ammunition they had," Judd said. "We were not going to take any chance of him shooting back."

The SWAT officers who shot Freeland have been placed on paid administrative leave, standard procedure in all police shootings.

Also released Saturday were autopsy results for the deputy, Vernon Matthew Williams, 39, which showed he had been shot eight times. He was not wearing a protective vest, but shots hit him in his right leg and behind his right ear, among other places.

Diogi, his German shepherd police dog, was also killed. The dog had been shot once in the chest.

Authorities said deputy sheriff Doug Speirs, also 39, was fired at several times and shot once in the leg. A sergeant and an officer from the Lakeland Police Department were also fired at, authorities said.

Copyright 2006 The Associated Press. All rights reserved.This material may not be published, broadcast, rewritten, or redistributed.

Friday, September 29, 2006

Stephen A. Smith on the future of the Middle East, oil consumption, and the war in Iraq


Anytime someone in the aggressively apolitical wide world of sports rages against the injustices of the day, it's welcome. Even when the voice belongs to Stephen A. Smith, best known as the bombastic host of the ESPN2 television program Quite Frankly. When he is not playing the role of "Screamin' A. Smith" on television, Smith is the lead sports columnist for the Philadelphia Inquirer.

His writing skills are sharper than Dikembe's elbows, and his ability to forge relationships with players is exemplary. But then there is that voice. That hyper-caffeinated, volume-eleven foghorn of Stephen A. always has me peering up for an incoming grenade. It is like listening to Chris Rock, without the jokes. Maybe that voice is all too fitting for a sports world blown totally out of proportion. Maybe the "Screamin' A." way is the future and young announcers will start dropping steroid-soaked throat lozenges. Maybe I'll now Van Gogh my ears.

So imagine my shock after seeing Stephen A. on a recent CNN Live Event Special debating the future of the Middle East, oil consumption, the war in Iraq, energy alternatives and other issues. The shock was not that Stephen A. could hold his own. It's that his voice of perpetual disgust and alarm seemed oddly appropriate and satisfying when discussing US foreign policy. Stephen A. was joined by a pedestrian group of yipping talk-radio heads, but he was the only one from the world of sports. Here is an edited play-by-play of Stephen A.'s CNN smackdown:


Stephen A. started slow: "[When] we're looking at the Bush Administration--and I'm not casting aspersions on them--saying we know definitely they lied about this that or the other. I'm saying that's the appearance that it gives, so you don't trust the leadership that is telling you."


But he got in touch with his inner Iverson when he took on racial profiling of Arabs and Muslims. Radio America's Ben Ferguson, whom I have never heard of but who seems to be to the right of Attila the Hun, said, "We're so worried about being politically correct, we don't want to offend anyone, and say we're going back to the '60s or '50s or whatever it may be, because that's what people say. If you profile people, you're being racist. No, I'm racist towards terrorists and if you fit the profile of a terrorist, then I don't like you."

Stephen A. was the only panelist to stand up to this racist garbage: "What's the profile of a terrorist?... Hold on, now. Let's be clear about something. When you talk about Timothy McVeigh or what have you, in Oklahoma City, he didn't fit the profile."

Ferguson responded: "But I think most Americans admit, when you get on a plane--be honest--you know exactly who makes you nervous when you get on a plane.... Do they not all look the same?... The people that did 9/11, people that did the Madrid? Do they not all fit--"

Smith shut him down: "But that's bigotry."

As the subject turned to Iraq and Afghanistan, you could see Stephen A. start to muscle-twitch, getting in that comfort zone. Ferguson, whom Stephen A. was starting to treat like Vince Carter treated Frederic Weis when he dunked on his head at the 2000 Olympics, said, "If you got a problem, you can either witch about it, or you can fix it."

"So, 100,000 lives have been lost. What's your definition of fixing the problem?" Stephen A responded. And after the conversation took a few more turns, he said, "There's plenty of people--I'm telling you right now, you know how many soldiers I run into, American soldiers--American soldiers--who we unequivocally support, and they say we have no business over there. Most of those people don't even want to be over there. They actually say that."

At the end Screamin' A. truly emerged to give his view of the current political climate in the United States. "I think moderation will kick in, but only after America continues to burn. I think America's burning as we speak and anything that's burning ultimately [changes] form."

This is time that we should be cheering at sports events and screaming at politicians. But these days, it's vice versa. After hearing Stephen A. rage against the political machine, I found myself wishing his daily platform were in politics and not sports. Maybe we can trade him for former ESPN employee Rush Limbaugh. It would be tough to endure Limbaugh on Sportscenter, but it would be worth it.

Robert Downey Jr.: I am 'Iron Man'


LOS ANGELES, California (Hollywood Reporter) -- Robert Downey, Jr. is suiting up to star in "Iron Man," a superhero movie based on the Marvel Comics character.

Jon Favreau is directing the Paramount Pictures release. Filming is slated to begin in February in Los Angeles.

Downey will portray Tony Stark, a billionaire industrialist and genius inventor who is kidnapped and forced to build a devastating weapon. Using his intelligence and ingenuity, Stark instead builds a high-tech suit of armor and escapes captivity. Upon his return to the U.S., he uncovers a plot with global implications and must don his armor and protect the world.

The comic debuted in the 1960s, and Iron Man's origin involved Stark being a prisoner of the Viet Cong. The movie version will be set in today's geopolitical climate.

Budgeted at more than $100 million, it marks the first feature film to be produced independently by Marvel Entertainment, which previously licensed its characters, such as "Spider-Man" and "X-Men," to other studios.

Marvel president of production Kevin Feige said the filmmakers looked for the best actor to embody the character.

"The Marvel characters are not just about how high they jump or how fast they fly, they're about their character flaws," Feige said. "They're about their inner demons. They're about the struggles that they go through between being a man and being a hero."

Downey, who has battled his fair share of inner demons, worked hard to get the role, getting in shape and even growing a goatee like the one Stark sports in the comic books.

"In every casting announcement we've done, people in their mind's eye have their own view of it and let us know about it. We're used to it," Feige said. "The point is, we looked at everybody, and we found the best person for the role. It's as confident a casting move as we've ever done. The proof will be in the pudding, but he is Tony Stark."



From CNN.com
http://www.cnn.com/2006/SHOWBIZ/Movies/09/29/film.ironman.reut/index.html?section=cnn_mostpopular

Tuesday, September 26, 2006

Did Whitlock Really Say That? A Q&A With Jason Whitlock


This is an excerpt from "The Big Lead Blog"

Q: Why’d you leave Page 2? Did your feud with Scoop Jackson have anything to do with you leaving?

I’ve always disagreed with Page 2 about the value of my column. But when I started, it was an opportunity to write alongside Ralph Wiley, Hunter S. Thompson and Bill Simmons. That’s a great lineup, and I just wanted to be in the middle of that order somewhere. Page 2 had a lot of energy. Ralph and Hunter passed, Simmons got his own page, the editor who kicked me ideas (Jay Lovinger) got promoted and suddenly I was batting in a very different lineup, and the new manager had me hitting a lot lower in the order. I wasn’t real comfortable, but I figured I’d let things play out. I quit doing radio and had more time to focus on my weekly ideas. The column was already game tight, but the frequency, consistency and content all improved. The compensation didn’t, the place in the batting order didn’t and the team started shopping for talent in remote locations.

Q: What about Scoop? Based on the way you bitch-slapped him in the KC Star, you couldn’t have liked working with him.

We didn’t work together. But, yeah, there’s a big dropoff from being associated with Ralph, Hunter and Bill than being linked to someone doing a bad Nat X impersonation. It pissed me off that the dude tried to call himself the next Ralph Wiley and stated some [bleep] about carrying Ralph’s legacy. Ralph was one of my best friends. I hate to go all Lloyd Bentsen, but Scoop Jackson is no Ralph Wiley. Ralph was a grown-ass man who didn’t bojangle for anybody. Scoop is a clown. And the publishing of his fake ghetto posturing is an insult to black intelligence, and it interferes with intelligent discussion of important racial issues. Scoop showed up on the scene and all of a sudden I’m getting e-mails from readers connecting what I write to Scoop. And his stuff is being presented like grown folks should take it seriously. Please. I guess I’ll go Bill Cosby on you, but it’s about time we as black people quit letting Flavor Flav and the rest of these clowns bojangle for dollars. There’s going to be a new civil-rights movement among black people and the people bojangling for dollars are going to be put in check.

Q: A Civil Rights movement? In 2006?

Dude, it’s in the air. Black people are tired of letting idiots define who we are. It’s dangerous. I grew up loving hip hop music. But the [bleep] is way out of hand now. Flavor Flav went from fighting the power with Chuck D to a minstrel show on VH1. You have all of these young rap idiots putting out negative images about black men and black women, and it’s on us to stop it and say enough is a enough. It’s not on white people. And it’s not on old black people like Cosby and Oprah. We have to police our own. W.E.B. Dubois talked about the talented 10 percent leading the black masses. We’re letting the Ignorant 5 lead us straight to hell. The Ignorant 5 are telling white folks, “Yeah, this is how we really is. Let me bojangle for ya, boss. You say step and I’ll show ya I can fetch.” And what’s even more dangerous, the Ignorant 5 are telling black kids, “It’s cool to be locked up. It makes a man out of you. And don’t embrace education. Dealing dope and playing basketball are better career choices.” The Ignorant 5 is the new KKK and twice as deadly. That’s why you don’t hear ‘bout the KKK anymore. The Klan is just sitting back letting 50 Cent and all the other bojanglers do all the heavy lifting.

Q: Will you remain a sports columnist? And isn’t it time you moved out of the sticks in Kansas City?

Yeah, I’m always going to keep a hand in the sports world. Writing about sports is a great platform to write about the rest of life. Plus, the sports world and the entertainment world are where much of the bojangling is taking place. I haven’t left the Kansas City Star because I’m treated well there, enjoy the freedom, love the city, the Internet makes the world much smaller and, most important, I have a good boss. Most sports editors want to be at home by 4 p.m. or three Martinis down by 6 p.m. My boss (Mike Fannin) likes to work. He understands what diversity is. It’s not a bunch of different color faces. It’s long debates and occasional heated arguments and forgetting about it the next day. I come at things from a totally different perspective from most columnists. I throw heat, and I throw a knuckleball. The sports editor is going to have to flop around in the dirt once or twice a month. Most people don’t want to work that hard. They’d prefer to get handed an 88-mph feature story right down the middle of the plate, and they want it by 3 p.m.

Q: Why AOL Sports? Sportsline and Yahoo are emerging as players. SI.com?

Neal Scarbrough, the head of AOL, doesn’t mind catching knuckleballs. He brought me in over at Page 2. He’s good people. And I’m a risk-taker by nature. AOL Sports has nowhere to go but up. I talked with CBS about a year ago, but the guy running the place didn’t have a concrete plan. Yahoo and SI have never shown an interest.

Q: Who are your boys in the sports writing industry? Who do you read?

Jeff Chadiha of Sports Illustrated is my boy. We go back to my days in Ann Arbor. Jeff and his wife just moved to Kansas City, and we’ve been working on a TV pilot for the past two years. The dude is just a rock-solid human being and real freaking smart. Jason King of the KC Star is my dog. He covers the University of Kansas. He’s the best beat writer in the country. He breaks news and writes great features. You can’t beat that combination. Terrence Harris of the Houston Chronicle is my brother from another mother. We disagree on damn near everything, but that’s definitely my boy. Bob Wojnowski of the Detroit News might be the coolest cat in the business. If Wojo had my ego, he’d be considered the best columnist in the country. Well, he’d also need to work for a newspaper that actually cared about its product. But that’s outside his control. Damn, can’t forget JA and Lonnie White out in LA. Greg Couch in Chicago. Who do I read? Simmons, TJ Simers, Wilbon, Deadspin, John Feinstein’s books, message boards and Scoop Jackson whenever I’ve overeaten and want to purge.

Q: In one of your most memorable appearances on The Sports Reporters, you got into a tiff with Mike Lupica and Mitch Albom when you said sports was just ‘entertainment.’ Lupica told you to go work on ‘Entertainment Tonight.’ You haven’t appeared with either of them since. Have the three of you kissed and made up?

I don’t have a problem with Mitch Albom. Lupica is an insecure, mean-spirited busybody. He’s upset because I put a clown suit on him on that show and in a follow-up column I wrote for ESPN. His little disingenuous overreaction to an opinion I’d stated previously on the show was staged to try to put me in a bad light. I guess no one had ever informed Mike that the E in ESPN stood for Entertainment. The Little Fella probably won’t let the producer (Joe Valerio) have me back on the show again. That’s cool. They’re mostly upset that I wouldn’t participate in their Barry Bonds witch hunt and help them single Bonds out as the creator of steroids. Lupica doesn’t like to be disagreed with, and he’s spoken so abusively to that producer for years that the producer probably doesn’t realize people are allowed to disagree with Lupica. I enjoyed my time on the show. But if the price of admission is stepping to Lupica’s drum, I’m more than happy to go without.

Q: Will your departure from ESPN.com impact your status on other shows at the network, like Rome is Burning, PTI, or The Sports Reporters?

I don’t think so. Kornheiser, Wilbon and Rome actually have legitimate self-confidence and don’t mind seeing other people stating opinions. And I don’t have a problem with ESPN. It’s a great network. The producers I work with on PTI and Rome are great and don’t have a problem with me stating my opinions. I don’t see Lupica having the power to interfere with what I do on other shows. But I could be wrong. And I don’t see the people at ESPN.com caring that I left for a better opportunity. I did five years at Page 2 for next to no money. I’m not Kunta Kinte. I got’s to feed my family. I left .com on good terms. No hard feelings.

Q: People say you play the race card far too frequently. Your response?

Black people think I’m too hard on black people. They write me and tell me I’m a sellout. White people say I play the race card too much when I question the timing of Charlie Weis’ contract extension. But those same white people write me love letters when I blast off into the way the media and a prosecutor tried to crucify the Duke lacrosse players on the word of a couple of black criminal escorts. I’m going to write about race because race is an issue in America and my life experience has put me in a position to have something insightful and intelligent to say about race. I don’t have an agenda when it comes to racial issues. There’s enough stupidity on both sides of America’s black-white dilemma to keep me typing for years. I don’t have a guilty conscience about race. The people in my life know that I choose my friends solely on the content of their character. And I don’t choose sides in my column based on the color of anyone’s skin.

Q: The photo of you suffocating the sofa is truly hilarious. What’s the story behind it?

Love that picture. Makes me laugh every time I see it. It’s a picture of me after I finished my morning radio show. It’s from back in the days when I hosted “Jason Whitlock’s Neighborhood” from 6 to 9 weekday mornings. You ever wake up at 4 a.m. Monday thru Friday? That’ll have your ass falling out on the first couch you see at 9:05 a.m. I think that picture was taken the day after our charity flag football game. It was a big party the night before (after the game). I’m not a big drinker, but it was a tradition for my team to lose and for me to drown my sorrows in Crown Royal and then stumble in and talk about it on the radio. That picture puts a smile on my face.